Introduction / Foreword
5
Introduction à l’éthos féminin
au début du XXIème siècle
Ruxandra CONSTANTINESCU-ȘTEFĂNEL
LA FEMME
12 Între seducţie şi anxietate.
Chipuri ale feminităţii în
Le Voyage D’Urien
26 Scene şi personaje îngemănate în Falsificatorii de bani
41 The Modern
Shape-shifter Maiden in Sayaka Murata’s Convenience
Store Woman
56 „Family”
in Jhumpa Lahiri’s The Namesake: A Gendered Perspective
65 Aspects
thématiques et sémiotiques dans l’autofiction d’écriture
féminine
LA FEMME
79 Marriage, Home and
Women’s Koinónia in Night of Henna (2005)
92 Fight of Flight:
Documentary Practice in Two Views of Migrants in Sweden
105 “Love Thyself“: A
Comparison between the English and the Japanese Versions of the
Title Song in Frozen
(Walt Disney Pictures, 2013)
LA FEMME
WOMEN IN OTHER FIELDS
122 Imagen y
argumentatiòn en los discursos de asunciòn presidencial
de Cristina Elisabet Fernádez de Kirchner en 2007 y 2011
137 La femme dans la
publicité des magazines roumains
Ruxandra CONSTANTINESCU-ȘTEFANEL
149 Femei în arhitectură
N’OUBLIONS
168 The Lonely World
of Virtual Love: Masculinity between Self-eradication
and Neo-Validation in Late-modern Japan
196 I. D. Sîrbu – An
Unlikely Intellectual as Self-portrayed in Adio, Europa!
(I)
EN MARGE DE … /
REFLEXIONS
207 Blood Is Thicker than the Ocean:
Language and Immigration
in Miroslav Penkov’s East of the West
215 Culture – China’s
Choice in Soft Power.
A Case Study on the Political and Intellectual Chinese Discourse
on Soft Power
A LIRE / PROPOSALS FOR
READING
236 Corina Anton,
Luminiţa Diaconu et Ioana Munteanu (dir.),
Du Blanc au Noir : les couleurs dans la symbolique
médiévale,
Éditions de l’Université de Bucarest, collection
« Mediaevalia »,
no. 8/ 2018, 227 pages