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Mario Vargas Llosa ou la mise en narration de la quête de soi

Roxana Anca Trofin

Pages 56–61

Abstract

The article reviews the ways in which Vargas Llosa's novels systematically deconstruct narrative categories, by dynamiting them from inside, only to reconstruct them at the end of the novel by a process with a double signification. The narrative category I analyze is the “voice” which allows, through polyphony and discourse interferences, to access not only the various levels of the story but also to the multiple meanings of fiction. In this universe felt as illogical, astounding and epistemological, the discourse of Vargas Llosa's novels tries to depict fundamental ontological and epistemological mutations, gradually moving away from the « classical » model imposed by the realistic novel.

Keywords —

Mario Vargas Llosa · narrative categories · the « voice » · polyphony · discourse interferences

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Cite this article

Trofin, R. A. (2001). Mario Vargas Llosa ou la mise en narration de la quête de soi. Dialogos, 03, 56–61.

Trofin, Roxana Anca. “Mario Vargas Llosa ou la mise en narration de la quête de soi.” Dialogos, vol. 03, 2001, pp. 56–61.

Trofin, Roxana Anca. 2001. “Mario Vargas Llosa ou la mise en narration de la quête de soi.” Dialogos 03: 56–61.

@article{trofin2001mario,
  author  = {Trofin, Roxana Anca},
  title   = {Mario Vargas Llosa ou la mise en narration de la quête de soi},
  journal = {Dialogos},
  year    = {2001},
  volume  = {03},
  pages   = {56--61}
}

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AU  - Trofin, Roxana Anca
TI  - Mario Vargas Llosa ou la mise en narration de la quête de soi
JO  - Dialogos
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VL  - 03
SP  - 56
EP  - 61
ER  -