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Mentalités, rhétoriques et idéologies scripturales

Le topos de la souveraineté acquise par l'amour – centre de convergence des coordonnées affectives dans le chansonnier du troubadour Cercamon

Luminița Ciuchindel

Pages 44–49

Licence © 2004 the authors · CC BY 4.0

Abstract

Cercamon, troubadour-juggler of the first half of the 12th century, is considered, together with Marcabru and Jaufré Rudel, as one of the founders of courtesy (courtoisie) artistic manifestation of the Middle Ages which opens the way for universal poetry. In Cercamon's chansonnier, the topos of sovereignty acquired by love is on the one hand similar to the topos of contract (and other topi characteristic for the fin'a mor) and on the other hand to a change in the status of women (la domna), whose possession becomes accepted, recognised and expressed objective of his poetry. The contemporary interest for this poet and his poems resides both in his perfect mastery of poetical art and in the way in which he highlights ethical and esthetical evolutions occurred in the second quarter of the 12th century.

Keywords —

cansós · courtesy · fin'amor · status of women · topoi
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Cite this article

Ciuchindel, L. (2004). Le topos de la souveraineté acquise par l'amour – centre de convergence des coordonnées affectives dans le chansonnier du troubadour Cercamon. Dialogos, 09, 44–49.

Ciuchindel, Luminița. “Le topos de la souveraineté acquise par l'amour – centre de convergence des coordonnées affectives dans le chansonnier du troubadour Cercamon.” Dialogos, vol. 09, 2004, pp. 44–49.

Ciuchindel, Luminița. 2004. “Le topos de la souveraineté acquise par l'amour – centre de convergence des coordonnées affectives dans le chansonnier du troubadour Cercamon.” Dialogos 09: 44–49.

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  title   = {Le topos de la souveraineté acquise par l'amour – centre de convergence des coordonnées affectives dans le chansonnier du troubadour Cercamon},
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