Rencontre des cultures et enjeux identitaires
L'autobiographie et les enjeux du dialogisme culturel dans L'amour, la fantasia d'Assia Djebar
Abstract
« L'Amour, la Fantasia » is a novel both autobiographic and historiographical. It is a feminine and a feminist writing, a testimony of the author's I and of the collective We of Algerian (Muslim) women and it shows literary, cultural, historical and linguistic complexity. The author aims at being at the same time the collective voice of Muslim women freeing themselves from tradition so as to shape a new heterogeneous identity for themselves, and a personal voice telling her own story, without any ideological programme and any stereotypes, either on Muslim men prejudices or on Muslim women emancipation. Djebar succeeds to create a vivid and realistic story where interior dialogue is mixed with social dialogue.
Keywords —
war of Algeria · Arab feminism · bilingualism · autobiographic story · Francophone literatureCite this article
Benalil, M. (2004). L'autobiographie et les enjeux du dialogisme culturel dans L'amour, la fantasia d'Assia Djebar. Dialogos, 09, 75–80.
Benalil, Mounia. “L'autobiographie et les enjeux du dialogisme culturel dans L'amour, la fantasia d'Assia Djebar.” Dialogos, vol. 09, 2004, pp. 75–80.
Benalil, Mounia. 2004. “L'autobiographie et les enjeux du dialogisme culturel dans L'amour, la fantasia d'Assia Djebar.” Dialogos 09: 75–80.
@article{benalil2004lautobiographie,
author = {Benalil, Mounia},
title = {L'autobiographie et les enjeux du dialogisme culturel dans L'amour, la fantasia d'Assia Djebar},
journal = {Dialogos},
year = {2004},
volume = {09},
pages = {75--80}
}TY - JOUR AU - Benalil, Mounia TI - L'autobiographie et les enjeux du dialogisme culturel dans L'amour, la fantasia d'Assia Djebar JO - Dialogos PY - 2004 VL - 09 SP - 75 EP - 80 ER -